Never once does it hint from the outset that you can win your own taxable land through a strategic marriage, nor does it tell you you'll probably have to fight for that potential spouse's favor in a duel. It doesn't show you the ropes much, aside from a tutorial for its unique combat system (which lets you control your attacks with most weapons from multiple directions), and the way it drops you into its world with scant explanation can be off-putting in this age of carefully orchestrated, world-saving plots told from the perspective of gruff, named protagonists. Look past its shabby exterior and you'll find depth, replayability, and ambition that few competitors can match. And yet for all that, this remains a roleplaying game that does a better job of conveying the rags-to-riches journey than a game like Skyrim.
Details like grass often vanish when you’re just a few yards away, and tricky gamepad controls sometimes become annoying. Knights and peasants alike jank about like robots. Slight variations on the same eight or so ugly faces populate its six kingdoms. It already looked a decade old when it first came out on PC in 2010 (and recieved a review score of 8.1), and some minor updates to its Xbox One and PlayStation 4 release do little to make it look remotely modern. Mount & Blade: Warband, which is likewise focused on a medieval setting, feels a little like that.
Some parts look like kindergartners made it, but it has soul and heart, and its images remain better embedded in my memory than some of the busy masterworks of the renaissance. Background details barely show up at all, the people look two generations removed from Gumby, and the weavers couldn't even keep the lines on the border straight. The sandbox-style RPG Mount & Blade: Warband is perhaps best compared to a work like the Bayeux Tapestry, a 230-foot long strip of cloth in northern France detailing one of the landmark events of the European Middle Ages.
Graphics aren’t everything - but they’re something.
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